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<!--Generated by Squarespace Site Server v5.0.0 (http://www.squarespace.com/) on Fri, 22 Aug 2008 00:49:50 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>Tai Chi Theory</title><subtitle>Tai Chi Theory</subtitle><id>http://www.allwellcentre.com/tai-chi-theory/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.allwellcentre.com/tai-chi-theory/"/><link rel="self" type="application/atom+xml" href="http://www.allwellcentre.com/tai-chi-theory/atom.xml"/><updated>2007-11-28T10:11:08Z</updated><generator uri="http://www.squarespace.com/" version="Squarespace Site Server v5.0.0 (http://www.squarespace.com/)">Squarespace</generator><entry><title>Grandmaster Chen Zheng Lei</title><id>http://www.allwellcentre.com/tai-chi-theory/2007/11/28/grandmaster-chen-zheng-lei.html</id><link rel="alternate" type="text/html" href="http://www.allwellcentre.com/tai-chi-theory/2007/11/28/grandmaster-chen-zheng-lei.html"/><author><name>Glenn Cumiskey</name></author><published>2007-11-28T12:00:42Z</published><updated>2007-11-28T12:00:42Z</updated><content type="html" xml:lang="en-GB"><![CDATA[<p><span class="sizeGreater20">Below is Grandmaster Chen Zheng Lei performing the <a href="http://www.allwellcentre.com/abouttai-chi/">Old Frame Chen Style tai chi form</a>...  Enjoy!</span></p><p>  <object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,29,0" width="425" height="355"><param name="movie" value="http://www.youtube.com/v/saPQ6wf4eCw&rel=1" /><param name="quality" value="high" /><param name="menu" value="false" /><param name="wmode" value="" /><embed src="http://www.youtube.com/v/saPQ6wf4eCw&rel=1" wmode="" quality="high" menu="false" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" width="425" height="355"></embed></object></p>]]></content></entry><entry><title>Some Points on Tai Chi Practice</title><id>http://www.allwellcentre.com/tai-chi-theory/2007/11/21/some-points-on-tai-chi-practice.html</id><link rel="alternate" type="text/html" href="http://www.allwellcentre.com/tai-chi-theory/2007/11/21/some-points-on-tai-chi-practice.html"/><author><name>Glenn Cumiskey</name></author><published>2007-11-21T15:07:26Z</published><updated>2007-11-21T15:07:26Z</updated><content type="html" xml:lang="en-GB"><![CDATA[<p><span class="thumbnail-image-float-left"><a href="http://www.allwellcentre.com/display/ShowImage?imageUrl=%2Fstorage%2FYang%2520Chengfu.jpg&imageTitle=1575728-1085543-thumbnail.jpg" onclick="window.open(this.href, '_blank', 'width=401,height=537,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no'); return false;"><img src="http://www.allwellcentre.com/storage/thumbnails/1575728-1085543-thumbnail.jpg" alt="1575728-1085543-thumbnail.jpg" /></a><br /><span style="width: 200px;" class="thumbnail-caption">Yang Chengfu in 1918 performing Single Whip</span></span><span class="sizeGreater20">In the early part of the 20th century, Yang Chengfu (1883 &ndash; 1936) outlined a set of principles that he recorded as a commentary on correct <a href="http://www.allwellcentre.com/abouttai-chi/">Tai Chi</a> practice.&nbsp; Yang Chengfu became the leading figure in the popularisation of Tai Chi as we know it today.&nbsp; He trained both family members and students in the martial aspects of the art, but perhaps more importantly modified the movements so that they would appeal to a wider audience.&nbsp; This modification was in essence a simplification of the external movements, but it succeeded in that it opened the health-giving properties of Tai Chi practise to many non-martial artists.&nbsp; Today Tai Chi is rightly respected for its ability to halt disease and prevent degeneration of the body and mind.</span></p><p><span class="sizeGreater20">Yang Chengfu&rsquo;s ten guiding principles are:<br /></span></p><span class="sizeGreater20">1. Empty, lively head-top force<br />2. Sink the chest, pluck up the back<br />3. Relax the waist<br />4. Distinguish empty and full<br />5. Sink the shoulders and the elbows<br />6. Use the intention, not strength<br />7. Upper and lower coordinate<br />8. Unite the internal and external<br />9. Continuous without breaks<br />10. In movement, seek stillness</span>]]></content></entry></feed>